02069nam a2200409 a 4500001001000000003000700010005001700017006001900034007001500053008004100068020003600109020002700145035002200172035002300194035002500217035002300242035002100265040004100286050002400327082001900351100004100370245008900411250001200500260004300512300002600555504005100581505057700632590014701209650005201356650003501408650002401443655002901467710002801496797002001524856009601544999001901640EBC709490MiAaPQ20250821113949.0m     o  d |      cr cnu||||||||110405s2012    maua    ob    001 0 eng d  a9780240815237q(electronic bk.)  z9780240812403q(print)  a(MiAaPQ)EBC709490  a(Au-PeEL)EBL709490  a(CaPaEBR)ebr10546057  a(CaONFJC)MIL311567  a(OCoLC)730951661  aMiAaPQbengerdaepncMiAaPQdMiAaPQ 4aTK7881.4b.Y48 20120 a778.5/23442221 aYewdall, David Lewis,d1950-933782310aPractical art of motion picture soundh[electronic resource] /cDavid Lewis Yewdall.  a4th ed.  aWaltham, Mass. :bFocal Press,cc2012.  ax, 657, 10 p. :bill.  aIncludes bibliographical references and index.8 aMachine generated contents note: The Empowerment of Sound; Our Amateur Beginnings; The Passing of a Tradition and Coming of Age; Success or Failure; The Challenging Battlefield of Production; From the Set to the Laboratory; Picture Editorial and the Use of the Sound Medium; Temp Dubs and Test Screenings; Spotting the Picture for Sound and Music; Custom Recording Sound Effects; The Sound Librarian; Sound Design; Sound Editorial; Dialogue Editors; ADR and Looping; Foley; Nonlinear; The Music Composer; The Re-Recording Stage; Emerging Technologies; The Venerable Nagra.  aElectronic reproduction. Ann Arbor, MI : ProQuest, 2018. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. 0aTelevision broadcastingxSound effects.9337824 0aSound motion pictures.9337825 0aTelevision.9337826 4aElectronic books.9351422 aProQuest (Firm)93378272 aProQuest (Firm)40uhttps://ebookcentral.proquest.com/lib/kuct-ebooks/detail.action?docID=709490zClick to View  c272352d272352