02514nam a2200373 a 4500001001000000003000700010005001700017006001900034007001500053008004100068020003600109020002700145035002200172035002300194035002500217035002300242035002100265040004100286050002100327082001200348100005100360245012900411260004300540300003600583504005100619505110300670590014701773650002801920655002901948710002801977797002002005856009602025999001902121EBC767258MiAaPQ20250821114758.0m o d | cr cnu||||||||110720s2012 maua ob 001 0 eng d a9780240814940q(electronic bk.) z9780240814933q(print) a(MiAaPQ)EBC767258 a(Au-PeEL)EBL767258 a(CaPaEBR)ebr10501117 a(CaONFJC)MIL327604 a(OCoLC)753480158 aMiAaPQbengerdaepncMiAaPQdMiAaPQ 4aTR850b.A64 20120 a7772231 aAnderson, Jackq(John Douglas),d1945-935863210aShooting movies without shooting yourself in the footh[electronic resource] :bbecoming a cinematographer /cJack Anderson. aWaltham, Mass. :bFocal Press,cc2012. axvi, 349 p. :bill. (some col.) aIncludes bibliographical references and index.0 aWhat is a director of photography? -- Realities : preproduction. What's first? ; We're still reading the script ; A few more things to think about ; The shot list ; The crew ; The location ; Selecting a camera ; Selecting lenses ; Selecting film stock ; Selecting a tripod and head ; What everyone else is doing to prepare ; The night before -- Realities : production. On time and ready to shoot ; First day/first shot ; Shooting masters ; Close-ups and coverage ; Operating the camera ; Still more composition, or follow the money ; The horror of the 180-degree line ; The good, the bad, and the ugly (but not necessarily in that order) ; Learning the hardware ; Why we light ; Exposure ; Exercise : shooting your project on film -- Realities : postproduction. Postproduction : timing and transferring ; Postproduction : putting together a reel -- Technicalities. Cameras : black boxes ; Lenses ; The Zen of focusing ; The magic of filters ; Film ; Color temperature ; Using and handling film cameras and lenses ; Using a tripod and head ; The dolly grip ; Laboratory and postproduction processes. aElectronic reproduction. Ann Arbor, MI : ProQuest, 2018. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. 0aCinematography.9358633 4aElectronic books.9351422 aProQuest (Firm)93586342 aProQuest (Firm)40uhttps://ebookcentral.proquest.com/lib/kuct-ebooks/detail.action?docID=767258zClick to View c275886d275886